Anne, Agnès, and Françoise Costa, who run the Fragonard fashion house, passionately perpetuate the work of their mother, Hélène Costa, founder of the Musée Provençal du Costume et du Bijou in Grasse in 1997.
The project for a museum in Arles was born between the Costa sisters, Odile Pascal, who collected local costumes all her life, and her mother Magali, accompanied by Clément Trouche, costume specialist and museum director.
Shortly before the passing of historian Magali Pascal, the three sisters committed to preserving the entire Arles collection to ensure its longevity in a space for exhibition and sharing.
Echoing the Grasse museum, Fragonard is opening a new museum in Arles, dedicated to the history of fashion and costume in Provence, revealing part of the history of fashion in Provence since the 18th century.
Anne, Agnès, and Françoise Costa, who run the Fragonard fashion house, passionately perpetuate the work of their mother, Hélène Costa, founder of the Musée Provençal du Costume et du Bijou in Grasse in 1997.
The project for a museum in Arles was born between the Costa sisters, Odile Pascal, who collected local costumes all her life, and her mother Magali, accompanied by Clément Trouche, costume specialist and museum director.
Shortly before the passing of historian Magali Pascal, the three sisters committed to preserving the entire Arles collection to ensure its longevity in a space for exhibition and sharing.
Echoing the Grasse museum, Fragonard is opening a new museum in Arles, dedicated to the history of fashion and costume in Provence, revealing part of the history of fashion in Provence since the 18th century.
Hélène COSTA & Magali PASCAL
two lovers of Provençal heritage
Portrait of Hélène COSTA / her daughters
Hélène Costa grew up in Cannes, near the Forville market, the historic heart of the city. During the war, she frequented the members of the Académie Provençale, dedicated to the preservation and maintenance of traditions. They sang and danced in costume, a way for the many young people subject to the curfew to come together. In the 1980s, the publication of a book on Provençal costume revived a taste for the subject. Dealers and enthusiasts began collecting forgotten and often neglected textile pieces. This revival went hand in hand with a thirst for knowledge, and the lack of specialized literature on the subject made this quest even more exciting. Demanding and concerned about the condition and quality of textile pieces, Hélène enjoyed traveling the roads meeting antique dealers and merchants. Faced with this enthusiasm, her daughters suggested creating a museum to protect her collections and share them with as many people as possible.
Born in 1925, Magali Pascal was named Chevalier des Arts et des Lettres in 2010 in recognition of her work as a historian and researcher. She is the author of three reference works and, with her daughter Odile, the tenth Queen of Arles, a historian of costume and jewelry, they own one of the most important collections of historical fashion.
Through their research, mother and daughter have offered the city of Arles, Provence, and beyond, the discovery of this garment since the 17th century.
Today, Françoise, Agnès, and Anne continue to preserve their mother’s memory by enriching the collection with new acquisitions each year. This collection is also extensively supplemented by a variety of iconography, sample books, and rare and antique jewelry, complementing the museum’s scientific work. Odile Pascal, for her part, is deeply involved in the Arles museum project, as an active member of the scientific committee.
Portrait of Magali PASCAL / her daughter
Collection items
Pair of heeled shoes
Your Content Goes HerePair of heeled shoes
1770-1780
Figured velvet, silk ribbons, leather, linen
Collection of the Fashion and Costume Museum – Fragonard
©Fanny Terno
Antoine Raspal
Your Content Goes HereAntoine Raspal (Arles 1738-1811)
Portrait of Monsieur Noguier at his desk
1778 in Arles
Oil on canvas, 105 x 81.5 cm
Collection of the Fashion and Costume Museum – Fragonard
Caraco
Your Content Goes HereCaraco
1780-90
Polychrome printed cotton canvas, linen
Collection of the Fashion and Costume Museum – Fragonard
©Fanny Terno
Set of crosses
Your Content Goes HereSet of crosses
Silver, rose-cut or table-cut diamonds, gold
Collection of the Fashion and Costume Museum – Fragonard
©Fanny Terno
Set in its box
Your Content Goes HereSet in its box
Around 1830-35
Necklace, bodice front, earrings, and bracelets
Pomponne, green chrysoprase, silk ribbons, leather, velvet, and silk satin
Collection of the Fashion and Costume Museum – Fragonard
©Fanny Terno
Headdress ribbons
Your Content Goes HereHeaddress ribbons
From 1830 to 1850
Various manufactures for the Arles market
Polychrome silk velvets
Collection of the Fashion and Costume Museum – Fragonard
©Fanny Terno
Jules Salles (Nîmes 1814-1900)
Your Content Goes HereJules Salles (Nîmes 1814-1900)
Portrait of an Arlesian in the Amphitheater
Around 1840-45
Oil on canvas, 55.5 x 46 cm
Collection of the Fashion and Costume – Fragonard
Dual reticle
Your Content Goes HereDual reticle
Around 1820
Tortoiseshell, leather decorated with small gold and silver stamps, silk
Collection of the Fashion and Costume Museum – Fragonard
©Fanny Terno